‘Inception’: Plan to see it twice (4/5)

Inception

Starring: Leonardo DiCaprio, Ellen Paige, Joseph Gordon-Levitt
Directed by: Christopher Nolan
Rating: PG-13 for sequences of violence and action throughout.
Running time: 2 hours, 28 minutes

If you’ve seen the previews, then this next point shouldn’t be much of a surprise: “Inception” is a mind-bending experience and is definitely a movie to watch twice. It’s nice to see original ideas again.

Dreams themselves are odd things to consider. They’ve long been seen as images from our subconscious — a mysterious force inside us that seems to know when we’re stressed and always conveniently knows what our biggest fears are (and, too, our deepest fantasies).

Director Christopher Nolan took the idea of random, internal thoughts and images to a new realm — a controllable arena in which your deepest secrets are vulnerable to the trained intruder.

Leonardo DiCaprio stars as the tortured Dominic Cobb with a dark past. Cobb is an expert in the art of extraction, or the ability to retrieve information out of others’ dreams. A man approaches Cobb with an offer — implant an idea into another man’s mind, and Cobb will be reunited with his children.

But implanting an idea is much harder than retrieving one — in order for an idea to stick, the dreamer must believe it is his or her own, organic thought.

Cobb assembles a team to help him break into the guarded mind of business heir Robert Fischer (Cillian Murphy, “Red Eye”). He joins together with architect Ariadne (the fantastic Ellen Page, “Juno”) and research leader Arthur (Joseph Gordon-Levitt).

A trick to Inception is to know who is dreaming and, therefore, who is in control. Also important is whose dream you are entering, because their subconscious could sense and attack you.

What makes entering Fischer’s mind so much more difficult is the use of sedation and the dream-within-a-dream stages. Also, Fischer has been trained against such interlopers, and so must be convinced to lower his guard.

The imagery of “Inception” will raise this movie above many others. Zero-gravity fights, dream building and imaginative scenarios will keep you amazed. But what will keep you invested is the story of Cobb and his wife, Mal (beautifully played by Marion Cotillard).

Leonardo DiCaprio proved long ago that he was more than just a pretty face (“Gangs of New York” and “What’s Eating Gilbert Grape” are simply fantastic films), and though he’ll always be haunted by the memory of his blockbuster role as “Titanic’s” dreamboat Jack Dawson, DiCaprio has managed time and again to pull out amazing performances. His portrayal of the tortured Cobb is worthy of admiration.

I have to commend Joseph Gorden-Levitt. I’m used to seeing his charismatic personality shine through in his early works “Third Rock from the Sun,” “10 Things I Hate About You,” and, more recently, “(500) Days of Summer.” But his restrained role as Arthur demonstrates his desire (and, more important, his ability) to build on the more serious side of human emotion (his part as Rex Lewis in “G.I. Joe: Rise of the Cobra” was a good jumping off point for him in this aspect, even if the movie itself wasn’t great).

“Inception” is wonderfully refreshing and a great example of thought-provoking film. The visuals are astonishing, the characters are memorable and the actors are superb. This is easily one of the best movies of 2010 — but looking at what’s come out so far, there hasn’t been much competition.

4 of 5 stars

Plenty to love about ‘(500) Days’ (4.5/5)

(500) Days of Summer

Starring: Joseph Gordon-Levitt, Zooey Deschanel.
Directed by: Marc Webb.
Rating: PG-13 for sexual material and language.
Running time: 1 hour, 35 minutes.

Right at the start, the narrator tells us that “(500) Days of Summer” most definitely is not a love story.

And, though you’re made aware of the fact from the beginning and maybe repeat it to yourself throughout the hour-and-a-half film, it does seem suspiciously like a love story. A romantic comedy, perhaps, or maybe even a nuanced “dromance” (dramatic romance).

But it’s not. Not really.

In the end, in its most basic form, “(500) Days of Summer” is about human relationships. More specifically, of a breakup. It’s about how the relationship of a boy (Tom Hansen — played by the impeccable and suddenly mature Joseph Gordon-Levitt of “3rd Rock from the Sun,” “Angels in the Outfield” and “10 Things I Hate About You” fame) and of a girl (Summer Finn — delightfully portrayed by the fun and quirky Zooey Deschanel whom you may know from “Elf,” “Yes Man” and “The Hitchhiker’s Guide to the Galaxy”) begins, builds and gradually falls apart.

Tom is a young greeting card writer with aspirations for architecture and true love. When Summer becomes an assistant at the card company, Tom is immediately smitten. Her charm and winning smile, coupled with her love for the band The Smiths, is more than enough to push Tom over the edge.

Tom’s architectural tendencies give him the strength to conceptualize, visualize and construct something out of nothing. So when the relationship with the “love of his life” starts crumbling to the ground, Tom is left grasping with little understanding to Summer’s mindset.

Screenplay writers Scott Neustadter and Michael H. Weber made a risky but invaluable decision to not tell the story chronologically. Instead, the film skips about to different aspects of the relationship, revealing a bit near the breakup, a bit when they first meet, a bit during the best of times and a bit during the worst of times.

This nonlinear storyline heavily contributes to the film by forcing the audience to become more invested in the emotions of the characters rather than waiting for the “grand ending” just before the credits roll.

It would be very easy to hate Summer. Despite immediately telling Tom that she does not believe in love and is not looking for a serious, committed relationship, it wouldn’t take much to think that Summer was using him. After all, how could she not see how crazy in love with her Tom is?

But Deschanel’s performance leaves you loving Summer almost as much as Tom does.

The complexities of love as shown in Tom and Summer’s relationship are juxtaposed against the greeting cards they work to produce. The cards are flat and superficial. They are someone else’s words, used out of obligation. It’s no wonder Tom and Summer soon have a problem communicating.

An added bonus to this movie is the soundtrack. The light, unconventional sounds of Deschanel-esque Regina Spektor complement the film and Deschanel’s character beautifully. Too, director Marc Webb’s background of music videos lend a fresh feel to the film (and actually, Webb directed two of Spektor’s music videos).

This film was opened in limited theaters in July but was finally released in mainstream cinemas last Wednesday.

Deschanel and Gordon-Levitt also participated in Webb’s promotional “Bank Heist” skit, which can be found on YouTube under the name “(500) Days of Summer [Bank Dance].” It has little (if anything) to do with the actual movie, but will give you a taste of the fun attitude in the film complete with a song that Deschanel herself sings.

4 1/2 of 5 stars